Posts Tagged ‘facts’

Crisis PR: Fundamental Change First, then Pro-Active Reputation Management

Thursday, May 23rd, 2013
New Road Ahead?

New Road Ahead?

Posted by Tom Gable

NBC reported that the White House is facing a major PR crisis related to the IRS and other recent issues that have rocketed to the top of news coverage globally. As noted by many PR gurus over the years, this isn’t a PR problem. It is a management problem and deals with the fundamental values of any organization, its operating culture and ability to commit to change, then achieve it.

In crisis PR, the correct approach starts with introspection, critical analysis and long-range thinking. In the short term, recognize the problem, apologize if necessary, pledge to make changes to right the current wrong and prevent its occurring in the future, set a vision for where the changes will go, and then deliver on the promises.

We’ve covered many transgressions in the past two years that provide good lessons for any organization, individual or institution dealing with a management crisis. As referenced in an earlier blog on crisis PR, the concept is simple.

As management guru Peter Drucker noted decades ago: “Management is doing things right; leadership is doing the right things.”

The lessons come from TEPCO and the Fukushima Daiichi Plant in Japan, BP oil disaster in the Gulf of Mexico, Penn State and its molestation scandal, a surge in Toyota recalls, HP management and market turmoil and Tiger Woods, among others, with the classic case being Tylenol. Here are links to the previous posts, which carry a common theme based on the Drucker teachings and sage advice from crisis PR luminaries all over the globe that real values, mission, organizational culture drive crisis PR. Get it right internally, then tell the world.

PR University Panel: Six Easy (?) Steps for Writing Like a Journalist in PR

Wednesday, September 5th, 2012

Wordsmith at work

Posted by Tom Gable

The PR University program on August 30 featured Jon Greer, training director of PRU, moderator; Jonathan Kranz, author of “Writing Copy for Dummies”; Don Bates, APR, PRSA Fellow, former journalist, agency CEO and currently professor at New York University; and yours truly, Tom Gable, APR, PRSA Fellow, CEO of Gable PR.

Greer set the stage by outlining the six steps to being a better writer and then led the panel through ideas PR professionals could use in using the tips in their practices:

One – Be an internal reporter

Two – Organize your material

Three – Start writing

Four – Continue adding useful information

Five – Review and revise

Six – Work with an editor

Greer asked the participants about what would be their biggest hurdles to becoming a better writer. Bates said each writer needs to be a strategic thinker – content needs to make something happen and build a bigger story. Gable said each story needs to be viewed as a building block in creating a bigger image and reputation for the long term, so facts and details are important. Kranz said the best writers go beyond just presenting information; they look for compelling core messages and themes that can resonate with the right audiences.

Kranz stressed the power of telling good stories, with a beginning, middle and an end. Is it about how your service works, your products and your people, how you solve problems, how your business began, how you overcame issues, what major customers are happy and anything related to trends that help you rise above the competition?

Desire, Danger and Drama

He framed each story as having three parts: desire, where someone wants something and there is a motivating element; danger, where there are obstacles, problems, risks and challenges; and drama, where the hero comes in with a magic sword to solve things.

For a company story, Gable said to start by looking at what exists (market, technology, service, industry trend, etc.), what are the problems that need to be solved, how do you differentiate the new approaches or discoveries, what will the team do to make it happen and what will ultimately be changed? Journalists are looking for cause-and-effect, plus anticipated results. If you can demonstrate what the company has done to evoke change, and tell it in a compelling way, you’re going to drive positive media relations. Also, look for what doesn’t exist. Is there a new story hook, trend or oversight your client can speak to?

Always be Collecting

Greer said to “always be collecting information.” This includes competitive information and industry trends as well. Sometimes outside stories can stimulate new ideas for promoting your own company in new ways and further differentiating against the competition.

Kranz counseled against having false drama. Journalists will see through it, he said. The panel stressed the importance of authentic counsel. Bates said to create a catalog of stories that  can be rolled out over time. His approach has been to interview key executives at the companies he has worked for. At Gable PR, teams use internal audits to delve into the heart and soul of a company. The team develops questions to be asked individually and confidentially of key client connections to delve into vision, mission, challenges, opportunities, history of the company, culture and anecdotes that can be used to demonstrate the successes of the company and its people. The process often finds stories that haven’t been told before.

The panel discussed how to work with difficult executives. In some cases, an executive will envision a story that really has no news value anywhere. PR firms and internal staffs need to provide authentic counsel. In some cases, they have to keep from falling on their own swords and be diplomatic. The panel suggested trying positive approaches such as saying “maybe there are other ideas we can use to build on this.”

Whenever in doubt, Gable said to drive clarity by asking two questions: “So what? Who cares?”

Bates said PR news copy should contain no jargon or hyperbole. Train your clients to think about action verbs and means of differentiating the company and its products with real facts. Gable said research with major media shows that the fact-based approach to public relations can be a clear differentiator and help build trust with the media.

Organize your material: what rises to the top, what’s important, what’s less important, what’s unimportant, do you have all the information you need? Greer said that most people will only read the lead paragraph so keep it short and simple.

Kranz said to consider the formats being written for – article, web, sidebar, feature, breaking news – and think about word count. What is the most important copy to include? What will get cut?

The panel urged writers to have copy reviewed by people not familiar with the client. Gable said his firm reviews copy internally and often works with freelancers who are former journalist to provide outside opinions.

The panel recommended setting aside complex stories for 24 hours. Kranz said to sleep on it, then read it aloud. Beyond words, he said get a feel for the rhythm. Does the copy flow?

Seven-Point Litmus Test

In closing, Gable shared the Gable PR seven-point litmus test for evaluating potential news stories or other messages:

1. Is it really newsworthy or of interest to anyone other than the company, the CEO’s family and a few of their friends?

2. How big is the impact: company, community, region, market niche or category, industry, technology or science breakthrough, nation, hemisphere, humanity?

3. Has the same or similar story already been told? (Quick research will answer the question.) 

4. Can the premise be supported by valid data, third party sources, case histories and ongoing proof of principle?

5. Does the company have credible “gurus,” who can bring the story to life and become valuable and trusted resources for the media?

6. Can the company be further differentiated by its people, technology, culture and personality? Or if you lined up the tag lines, boilerplates, key words and descriptive clauses for the top competitors in the space would they all look and sound alike?

7. Can the story be summarized in a compelling headline, Tweet or one or two-sentence sound bite or elevator pitch? 

This quick test can help focus your efforts to create a smart, compelling and interesting story or other communication that breaks through the clutter, connects with your targets and supports the long-term image and reputation of your client or organization. Failing the test can also be used as evidence to convince the client or boss to go in a new direction or risk alienating the media and beyond.

In summary, the panel agreed that strategic public relations programs supported by strong PR writing can make a difference in how an organization builds its reputation for the long term, or doesn’t.

Honing the Elevator Pitch for Analyst Presentations, Media Interviews and More

Thursday, August 23rd, 2012

Make it Quick!

Posted by Tom Gable

Whether working with a Ph.D./M.D. who knows too much, a CEO who loves to spin long tales about his company and his successes or a startup or anyone else who is new to trying to connect with financial, media and other audiences, we’ve found a good starting point in the communications process is drafting a classic elevator pitch.

The challenge is writing short copy, especially for engineers and scientists who are used to citing published articles, case histories and other resources ad infinitum. The long approach is perfect for pitching peers and colleagues, less so for connecting with analysts, the media and non-industry audiences. Thus, the following was created by Gable PR as a starting point for honing a one- to two-minute pitch (also referred to as the cocktail party pitch) to grab the attention of your audience in the shortest amount of time and set the stage for next steps.

TAG LINE/SOUND BITE – The opener – an instant picture or quick summation of your positioning.  What you do, what you stand for, to what effect and why it’s important. One sentence is best.Practice with people who don’t know what you do and keep honing this one sentence (two at the most) until it rings like Shakespeare.

PROBLEM, SITUATION ANALYSIS – What exists – the pain or problem you solve?

DYNAMICS AND OPPORTUNITY – Quick historical overview of how it got to this point, how the challenge has been addressed, what is the sweet spot for your company or organization (keep it to three important points, no more!).

WHAT (solving the problem) – Your company (or organization) has been working X years to plan for and develop D, E and F to solve the problem, take advantage of the market opportunity and grow and succeed over the next Y years.

OVERVIEW FROM 30,000 FEET – We have done it: the macro view, the big picture of how your great concept all comes together and grows market share, sales, traffic, profits, benefits the community, whatever – the BIG PICTURE vision of future success rather than technical details and features.

SO WHAT (Benefits) – You will succeed because of the creative planning, results and ultimate value you deliver.  Create a mental picture of the benefits to science, patients, customers, the world. If there is a good case history, cite the proof of principle in a sentence or two. Do it in two sentences and you get a Pulitzer Prize (plus the desired result).

THE TEAM – The team includes executives with national credentials in A, B and C. It has a combined ZZ years in the industry, has built MM, helped YY other companies or institutions grow and knows the market and how to provide an expanding array of products and services to help it succeed (make it relevant to the big picture).

THE CLOSE (call to action on the elevator) – “We have the people, the plan and the commitment to succeed in a rapidly growing new market.  I can provide incredible detail that I believe will convince you to … (invest, interview, buy, etc.).  How about a follow up meeting?  Where would you like to meet?  What else can I provide?”

Ask questions that will take it to the next step!

Communications at the Speed of Light in Crisis PR

Tuesday, July 3rd, 2012

When Crisis Hits

Posted by Tom Gable

Situation: The Twittersphere and blogosphere are exploding with attacks on your company, client, CEO, technology, food quality, lousy customer service, bad earnings report, botched new product introduction, labor dispute, legal action, whatever. You jump into the feeding frenzy of the 20-second (or less) news cycle where the momentum of an attack goes ballistic. How to respond?

One option is to do nothing if the attacks are from the lunatic fringe or deal with a single aberration that runs counter to the reputation you’ve earned over time based on the quality of all that you do.  You may still want to deal with that incident according to established procedures, protocols and process to counter even the most ridiculous post.  The challenge is to avoid an instant, emotional response that escalates the exchange, especially if it’s a difficult or contentious subject.

Instead, get analytical.  If it’s in the Twittersphere, consider the half life of a Tweet, as covered here earlier and where the first option may be the best.  If it appears the flaming will continue, set goals for moving the conversation.  Be consistent in the tones, themes and values being portrayed.  Display cultural authenticity – what you stand for and the essential core values.  Proceed with a human voice (no legalese or corporate speak).

Prepare to track the conversations by the minute as the crisis or issue unfolds. Measure how the conversation moves.  We’ve adopted a simple method that is incredibly easy to record and track the flow: is the message (Tweet, comment, news story, whatever) positive, neutral or negative. The ultimate goal is to be trusted and believed. If starting in a deep hole (three to one against), set your goal to at least break even within a certain period of time and rise into positive territory immediately thereafter (Gable PR used this approach and means of measurement in a issues management campaign that won a PRSA Silver Anvil).

To help focus the effort, Gable PR developed a quick check list to start the conversation with our clients when disaster strikes (the key word is when, not if; be prepared).

  • Source of the communications, legitimacy
  • Issues being raised
  • Internal analysis of accuracy, validity, magnitude of the issues and conversation; duration, desired end-point
  • Analysis of potential impact on reputation of the brand, company, people, technology, etc.
  • Beyond communications, are internal changes needed to the organization, product, service, culture and core values?
  • If analysis indicates the fundamentals of the organization seemingly aren’t lined up with the outside audiences, how to move toward better alignment? (Don’t get hung up in ego. What needs to be done?  By whom?  Course corrections?  How to announce and take leadership?)
  • Launch issues management and Crisis PR plan if required, to include response strategy, core values, messaging, tools, tactics and timing (in some cases, you don’t have to respond immediately, especially when the attacks are emotional and personal)
  • Set goals for moving the conversation
  • Add resources to the Crisis PR team if needed, including outside experts
  • Respond in a sincere, human voice and work to build trust
  • Conduct minute-by-minute tracking, analysis of trending in tone, content
  • Adjust the response strategy and tactics as facts and circumstances indicate
  • Continue to evolve the internal culture and organization as needed
  • Celebrate success!

Seven Tips for Making Headlines Shine (and Getting Your PR Releases Read!)

Tuesday, March 13th, 2012

Posted by Tom Gable

Headlines need to excite, entice and entertain. The best grab a reader’s attention in a short amount of space and lure him or her into a story. They create evocative thoughts and images. They summarize smartly and succinctly the meaning of what will follow. They don’t go on forever like an abstract for a research paper (you can’t bore people into reading your story!). Here are some quick tips for writing better headlines.

1. Read the Media You Are Trying to Reach! How Would They Write the Headline?
2. Think About Your Target Audiences and What’s Important to Them
3. What’s the News (breaking, feature, opinion)?
4. Get Creative. How Are You Going to Stand Out from the Crowd?
5. What General Approach to Take (fact-based, humorous, the ever-present pun, positioning and visionary, provocative, diplomatic)?
6. What Are the Most Important Facts and Impressions You Want to Leave with Your Audiences?
7. Be a Stickler for Style

• Brainstorm on key words and tags to use for search engine optimization
• Use a two-line headline and two-line subheadline wherever possible to make it easy for the reader and search engines to put it into context
• Have the client name in the first line wherever possible
• Use active verbs
• Have complete thoughts on each line
• Have logical line breaks and balanced lines, to mirror the standards set by the media; don’t just wrap text from line to line
• Be smart about punctuation (including commas, semicolons and dashes)
• Use the “So What, Who Cares?” test to see if you’ve got it right (or should start over)
• Read the headline and subheadline aloud and see if they flow, plus have the creative power to connect
• Edit, edit, edit!

The New Newspaper and PR: Relationships Still Crucial

Monday, February 20th, 2012

Posted by Tom Gable

Jeff Light, editor of U-T San Diego (formerly The San Diego Union-Tribune), was telling a packed meeting of the local chapter of PRSA about changes at his paper and other papers around the world.

The local newspaper of record was becoming the digital multimedia content provider of record. Teams now push out news via email, text, audio and video. Papers (and magazines) cover breaking news on their websites as it happens, so in our world of always-on communications there is no need to wait for the evening news on TV to catch up, tuning to CBS News or other radio source during the commute or strolling out early tomorrow to pick up the morning daily from your doorstep or driveway (which is still a fun morning ritual for some!).

Light said the challenge all newspapers face is how to make them relevant and useful beyond the printed version while creating new revenue sources (the No. 1 revenue source of old — fat sections of classified advertising — disappeared into Craigslist). The news organizations have smaller staffs. Reporters are now “content contributors,” which can include writing for the website, recording video and audio and taking photos. Feature stories are scheduled in advance for the print edition. Daily news conferences determine what hot web stories go into the print edition.

Positive for PR

The new model can be positive for PR professionals, providing they understand the reporters and their beats, be honest, be forthright and provide facts and information that make it easier for reporters to tell their stories.

Light said the key to media coverage: it is all about relationships. Whom do the reporters know? Light said the PR professional is in a weak position trying to pitch someone they don’t know. For building successful relationships on the news side, get to know the reporter covering the beat. Build a relationship and reach a level of trust where a reporter will rely on the PR pro as a valuable source. Light was asked about the traits of a bad PR person: rigid, demanding and untruthful.

On organization, Light said the old model was undisciplined, unfocused, and inefficient and it often took a long time to develop a decent story. As people grew up in the profession and gained more skills, they usually pursued fewer, bigger stories. Small but important pieces sat on the sideline. In the new model – Website first, then figure out what might make the print edition – writers have to be more productive. The challenge: be efficient and competent.

Finding Good Stories

Light said the U-T has cut down on the number of things it covers and built a more focused approach to finding good stories across the different news beats. He provided a quick litany of how to build a beat. What is the big story? What really matters? Whom do you have to know to develop the relationships that can lead to the story? Reporters need understanding and access. Big pieces grow from small pieces. PR pros can help.

With fewer editing layers, the U-T does suffer from an increased number of errors, Light acknowledged. He said he was not sure additional layers improve quality. The Street.com, for example, has no copy editors and is wildly successful. He wants his teams to “do it once and do it right.”

When asked about the new look of the paper, Light said the rebranding to U-T San Diego had been brewing for some time. Research showed the brand image suffered from many negative perceptions and misconceptions. The executive teams and advisors felt they needed to send a big signal that this was not the old San Diego Union Tribune.

Bye-Bye Local-Local News?

For competition, the hyper-local Patch phenomenon will fail sooner rather than later, Light said. The timing is wrong. The challenge of local-local news is that it is hard to make its scale. A publisher can’t succeed with a big staff and small audiences. You want big audiences with a small staff, he said. The more local you are and the more content creation you do, the smaller the audience.

Bottom line: Papers are being rebranded, refocused, dressed up in new clothes and sent out digitally to connect with readers and, now, viewers. For news junkies, the content is imminently searchable but I wondered if I would ever be comfortable reading my news on a smart phone, clicking on links to get more detail, scrolling to find other links to supporting sidebars or just browsing page to page for fun.

Next: The Copyboy Chronicles (where cut-and-paste came from)

 

 

Worst of Breed — PR Plans, Crisis PR, Releases and More

Thursday, January 5th, 2012

 

Image Meltdown

Posted by Tom Gable

In reviewing many recent roundups of PR successes and failures from 2011, including egregious abuses of the language, it appeared a new category of analysis might be tried: Worst of Breed.

The concept is to delve into corporate, institutional or other failures to communicate well and identify if their fatal or near-fatal faults are one-time occurrences or could reside in their DNA, to be passed on to future generations. It could be one bad gene, such as at Penn State, or something that may have metastasized, as with the upper echelons at Tokyo Electric Power. Beyond simply covering the big events, can we also ask for help in shining the light of journalistic verisimilitude on other WOB examples in writing, social media, news releases and other communications driving by PR?

This leads to a two minute survey created to seek broad input on WOB examples for future articles in PRSA Tactics and elsewhere and blog posts. Please click through to take the survey, which offers opportunities to provide your own candidates and links to their transgressions.  This includes nominations for the coveted WOB Lifetime Achievement Award.

Thanks, in advance, for the help, and here’s to a super 2012 for the PR profession!

 

PR University Panel Shares Secrets of Writing Like a Journalist

Monday, December 5th, 2011

Wordsmith at work

Posted by Tom Gable

How to cut through the clutter and connect with the media with powerful stories they can actually use? PR University convened a master class webinar recently to answer the question: “What kind of writer are you? Newsroom vets and PR wordsmiths share power secrets of writing like a journalist in six easy steps.”

The steps outlined by Jon Greer, moderator, were fairly straightforward. The PR pros on the panel then added extensive details to each step. Some of the highlights follow below with guidance from Nancy Brenner, senior vice president, director of media relations, MS&L Global Corporate; Jeff Crilley, president, Real News PR; Rory O’Connor, senior vice president and partner, Fleishman-Hillard; and yours truly, CEO, Gable PR.

Step one: be an internal reporter

Think like a journalist. Train your ears and eyes and find ways to rise above the competition.

Become an investigative reporter. In trying to earn our media coverage, we rely on telling a good story with facts. Can we truly differentiate against the competition? In what ways and can we provide ongoing proof of principle over the next two to three years with real stories, facts and details, not vague words.

Rory said the most important thing PR professionals can deliver is great content. How to connect with your ultimate audience, not your clients?

Nancy said to dig deeper and probe for better stories and anecdotes. She said to track trade organizations and associations in your client’s industries to find supporting data. They often have trend stories that the PR pro can build upon. Tom suggested using government, independent research and other outside studies for validation. In some cases, the PR pro can then provide the journalist with additional sources for improving the depth of the

Jeff said to push back on client who is trying to get too much of a commercial message into the release. Go for the good story and you will get the commercial, he said. Go for the overt commercial message first and you probably won’t get a story. He noted that the media are overwhelmed with added online and social media responsibilities so “do the job of the journalist” and help them tell a good story.

Step two: organize your material

Think of each release as part of a series. He were building image for the long-term. You’re thinking also about how people search for topics. Check what news stories and press releases come up as top candidates in the Google news and other searches. Look for what is they are, and what is not there.

What rises to the top? What is important? What is less important? What is unimportant?

Step three: start writing

To get started, Jon said to start with the first thing you think of; don’t delay or try to be perfect.

Tom recommended starting with a great headline. Think about search engine optimization. Tell your story concisely and with strong words. Read the media you are trying to reach. How would they write the headline? Think about your target audiences and what is important to them. Get creative. How are you going to stand out from the crowd?

In addition the perfect headline and work toward it. Stick to three or four major points and paint big pictures. Go for the most important fact first. Think about the benefits to their readers, viewers or listeners. Think about relevancy to the journalist’s audience. Are you offering any new insights? Can you provide examples, facts, metaphors, quotable quotes and good anecdotes to bring your story to life?

Step four: continue adding useful information

What does the reader or viewer need to know? Look for facts and outside validation. Can you enhance their understanding with government or other data? Can you quote outside sources, such as noted critics, pundits and authors?

Step five: review and revise

Applied the “so what, who cares,” test first. This is a good way to read through copy and see what could be eliminated, edited or enhanced. Will anybody care?

Jon said to set the work aside if you can and reread with a fresh eye after doing something else. Is anything missing? Is everything in the right order? Would a typical reader be confused? Nancy said good editors strive to tighten every sentence. The best reference book to guide you on the way: Elements of Style, by Strunk & White.

On quotes, Tom said to read your material out loud. Are you communicating well with each sentence?  Is your work rife with empty phrases?

Also, edit for jargon. Tom said some words, such as solutions, seemingly get dropped into news releases unconsciously, somewhat of a verbal tic. Lazy writers sprinkle the releases with jargon rather than striving to develop well-crafted, creative and compelling ideas that capture the personality of the company, its points of differentiation and the defining factors what it is offering.

On complex stories, Rory said to tell the story to friends. Have a dialogue. They will often find the holes.

Step six: work with an editor

Edit for both style and content. Is the story well told? Rory shares his copy with another former journalist at this firm. If you don’t have internal talent, turn to a friend or colleague on the outside. The outside viewpoint can sometimes be very helpful. Nancy said PR pros sometimes get too close to details of a story and produce jargon or “inside baseball” types of copy.

Nancy suggested writing for readers on smart phones, which is where more people are getting their news every day. Plan for a shorter word count, including shorter headlines. Can you edit your headline into a bright subject line?

Tom said an editor from the Wall Street Journal who made his copy significantly better said to never fall in love with your prose. Don’t take editing personally. Think about the final product. Is it really going to communicate with the audience – the ultimate test of good writing.

Real values, mission, organizational culture drive crisis PR – a collection of case histories

Thursday, November 17th, 2011

New Road Ahead

Posted by Tom Gable

The Wall Street Journal covered the Penn State crisis and Jason Gay, who usually lights up the fun side of sports, writes that they are dealing with much deeper institutional issues than simply getting on the gridiron and starting the healing process. Questions remain. He asks for answers. But beyond that discovery process, any institution, individual or organization under fire needs to speak to evoking change, what it will look like in the future and how it will make a difference in all that it does.

This brief preamble leads to providing links to six posts in the past 18 months on different elements of crisis PR, case histories and a few recommendations on steps to take at every level – from the corporate suite to the Twittersphere and blogosphere. As noted in the headline: real values, mission, organizational culture drive crisis PR. Get it right internally, then tell the world.

 

Social Media, PR, Clients and Disclosure: Tips for Keeping on the Right Side of the Law

Sunday, October 30th, 2011

Fully Disclosed

Posted by Tom Gable

PR firms are often the driving force behind helping clients build buzz, brand identity and even sales volume through promotional blogging and tweeting, Facebook pages, product reviews, restaurant and hotel tips and more. Beyond advancing the art of social media, firms need to ensure that they are equally up to speed on FTC guidelines or face possible legal action, according to two lawyers from Davis & Gilbert, New York, during a presentation to a quarterly meeting of IPREX recently in Toronto.

The lawyers, Michael Lasky and Gary Kibel, told the PR pros from more than 40 firms on three continents that the FTC has continued to update its guidelines about bloggers and others being truthful and reliable.

“And this isn’t just a feel good; it’s a legal requirement,” said Lasky, who chairs the PR practice at D&G. He provided a handout that summarized the FTC guidelines, including this summary:

“The Guides have been updated to ensure truth in all media, including blogs, social networking sites, and other new media. The basic principles of the Guides remain the same — endorsements must be truthful and not misleading and if there is a connection between the endorser and the marketer that would affect how people evaluate the endorsement, that connection should be disclosed.”

Clients and their PR firms can be held liable for unsubstantiated claims, so Lasky and Kibel stressed that PR firms need policies and procedures about expectations for proper behavior on both the agency and client side of the equation. This includes working with third parties, such as hiring people to blog and tweet about a company and its stock price, services or products, or take negative shots at its competition as well.

The lawyers provided an example in one of their publications about complaints being filed against Ann Taylor for giving gifts to bloggers and asking them to blog about an event. The FTC found that several bloggers posted about the event without disclosing the gifts. No action was taken because Ann Taylor had created a written policy stating that it would not issue gifts to bloggers without first instructing them they must disclose the gifts. There was a sign at the event instructing bloggers to disclose the gifts if they posted about the event. Case closed.

Lasky and Kibel outlined several top blogging practices clients and their PR firms should follow:

  1. Have a policy.
  2. For bloggers, be forthright — disclose any material connection.
  3. For clients and their agencies, monitor their bloggers to make sure they make the necessary disclosures. If you see something misleading, unsubstantiated or not reported accurately, take action.
  4. In hiring a blog service, companies and their agencies must provide guidance and training about the necessary disclosure.
  5. Employees of the marketing or its PR firms should clearly disclose relationships. Such as PR firms blogging about a product from a client.
  6. Even street team members who get consideration (reward points, etc.) for their work must disclose the details.
  7. When celebrities are paid, they must disclose (Lasky and Kibel provided the example of Armstrong Williams, commentator, who was hired by a PR firm to promote the “No Child Left Behind” program on CNN).
  8. Have spokespeople go through extensive media training to ensure they understand the disclosures.
  9. On level of disclosure, analyze the audience.
  10. You don’t know it all. Seek legal assistance.

In another case, an agency was hired to endorse a client’s gaming application. Its people gave the game high ratings. The agency failed to disclose that it received a percentage of sales of the games as compensation.

Disclosure can be as simple as adding parenthetical notes in the copy (“Company X gave me this product to try.” “Product Y was sent to me by the manufacturer.” “Wineries whose names are preceded by an asterisk * provided samples.” “Agency Z is providing blogging and other services for Client A.”).

Some use hash tags in their tweets and Facebook posts, such as #ad, #paid and #sponsored.

Bottom line: disclose, and have the disclosure displayed where it can be easily found. The lawyers said trouble awaits when the disclosure is buried three levels deep on a website.