Archive for the ‘Clutter Busting’ Category

Drawn and Quoted: classic one-liners on PR, writing, editing and literary criticism

Monday, December 10th, 2012

Sir Winston

Posted by Tom Gable

In preparing for a speech or thinking of adding a touch of humor to an article, I used to sit in front of a blank screen (or piece of typewriter paper in bygone days) and rummage through the sometimes dim corners of the attic of my mind in hopes of finding a forgotten gem or two. I started collecting favorites in a file for easier and more accurate recall.

The file has grown to more than 60 pages. I pulled it up over the weekend to stir the senses as I worked on a piece on how to improve PR writing for PRSA Tactics. I’ve pulled out some classics on PR, writing, literary criticism and editing that might stimulate a chuckle or two (or maybe not!).

PR, Advertising, Marketing

There is nothing so futile as having the right ideas and getting no attention. – John Kenneth Galbraith

You cannot bore people into buying your product. You must interest them into buying it. You cannot save souls in an empty church. – David Ogilvy 

I honestly believe that advertising is the most fun you can have with your clothes on. – Jerry Della Femina

Writing

I love being a writer. What I hate is the paperwork. – Peter de Vries

Every journalist has a novel in him, which is an excellent place for it. — Russell Lynes

Writing is easy; all you do is sit staring at a blank sheet of paper until the drops of blood form on your forehead. – Gene Fowler

Trying to be a first-rate reporter on the average American newspaper is like trying to play Bach’s ‘St. Matthew’s Passion’ on a ukulele. — Bagdikian’s Observation

My father has spent the best years of his life writing his extemporaneous speeches. – Randolph Churchill on Winston Churchill

I am returning this otherwise good typing paper to you because someone has printed gibberish all over it and put your name at the top. – An English Professor, Ohio University

Literary Criticism, Guidance

There are three rules for writing the novel. Unfortunately, no one knows what they are. – W. Somerset Maugham

This is not a novel to be tossed aside lightly. It should be thrown with great force. — Dorothy Parker

From the moment I picked up your book until I laid it down, I was convulsed with laughter. Someday I intend reading it. – Groucho Marx

Where facts are few, experts are many. – Donald R. Gannon

There are grammatical errors even in his silence. — Stanislaw J. Lec

The covers of this book are too far apart. – Ambrose Bierce, The Devil’s Dictionary

He has never been known to use a word that might send a reader to the dictionary. – William Faulkner (about Ernest Hemingway

It had only one fault. It was kind of lousy. – James Thurber

Editing Tips

If I’ve told you once, I’ve told you a thousand times: Resist hyperbole. – Anon

Never use a long word when a diminutive one will suffice. – Anon

Eschew Obfuscation. – Anon

Avoid awkward or affected alliteration. – Anon

Last, but not least, avoid clichés like the plague. – Anon

I wish people who have trouble communicating would just shut up. – Tom Lehrer

 

PR Pros as Masters of the Communications Universe — Think Like a Publisher

Thursday, November 15th, 2012

Rolling out new tools

Posted by Tom Gable

How to develop social media programs for clients in different industries and professions but with the same need to connect with multiple audiences and build image, reputation and increased connections? After considerable research, brainstorming and analyzing potential strategies, we pulled together approaches taken from the pages of our favorite journalism books and publishing models.

The concept was presented at a PRSA Counselors Academy Spring Conference in 2011 to promote the PR profession as being the new “Masters of the Communications Universe.”  Unlike those in any other field, PR professionals have: proven histories of using strategic programs to build image and reputation; a robust arsenal of tools and tactics; the power to change perceptions and behaviors; the abilities to position new companies, markets and industries and reposition companies that have become stuck; disrupt a market; pre-empt the competition; manage a crisis; and so much more!

Ready to become a master of the communications universe? Here are the 13 lucky steps Gable PR uses as a starting point for developing programs:

 

  1. Set Program Goals and Objectives – These can be big ideas, such as supporting an organization’s annual business and marketing plans, or can get specific about increasing penetration in each communications channel, driving leads to the website, increasing stock volume and other metrics.
  2. Determine Your Target Audiences – This can include internal audiences, customers, future customers, the media, suppliers, regulators, elected officials, the community, government agencies and more. Whom do you need to reach? Where do they get their information? Whom do they trust? What do they need to know to begin developing a clear picture of what makes you rise above the crowd – the clear points of differentiation that are the essence of your brand and reputation?
  3. Develop a Position, Personality, Tone and Style – How to deliver quality content to impress and educate your target audiences? Think about your favorite publications. Will your different publications — electronic and otherwise — be similar to a trade journal, a general business publication (Business Week, Forbes), a more general all around publication or website (Time, Newsweek, Huffington Post, Washington Post, Los Angeles Times, the Sunday magazines in daily newspapers), something feature-packed (Wired, Fast Company, Inc.)?  Your goal is to show a consistent personality, tone and style, whether for blogging, Tweeting or posting to Facebook. How do you want to be perceived? You want to come across as helpful, knowledgeable, trusted, dependable, reliable and, of course, human!  Be friendly and authentic; connect with your audiences, don’t talk down to them.
  4. Create an Editorial Calendar for the Year – Make a list of the topics you want to cover and then develop what the news media call an Editorial Calendar. Are you going to publish your blog weekly? How will you integrate Facebook, Pinterest, LinkedIn, Google+ and other channels into the plan? Assign a topic to each of the next 52 weeks. Once the calendar is established, have the discipline to publish accordingly. Then, if some important piece of news surfaces that you want to blog about, go ahead and share the breaking news and simply push the calendar back a week.
  5. Develop a Content Creation Plan to Make it Happen – Assign content development one to two months ahead of when the copy, video, infographic, photo album, news story, podcast, interview or whatever is set to run. You can use project management software to manage the process, or create your own means of tracking when an assignment is made and to whom, when the draft is due, editing date, final approval date and then run date.
  6. Have a Nose for News; Find Hot Topics to Cover – Subscribe to news trackers (Google, Yahoo, New York Times and most newspapers and magazines). Set up search terms in Twilert (a search engine for Twitter) to find interesting Tweets on key subjects and links to other resources. Identify your favorite news columnists, blogs, industry experts or others to follow and check them regularly. And if you ever feel you don’t have quality content but want to communicate according to your plan and schedule, blog about your “Best Sources.”  Write a short introduction about why you like the sites or people and provide links to four or five of your favorites. This can also lead to reciprocal linking and more followers.
  7. Provide Variety – Newspapers, magazines and news websites usually have sections, such as news, sports, entertainment, business and finance, home and garden, lifestyle and people news. Think about the potential topics you want to cover. You can cover one or more in each blog. Alternate topics to keep fresh.
  8. Invite Guest Columnists – Find outside experts, peers, customers, visionaries, thought leaders in the industry, fellow board members in trade associations and others to invite as guest columnists and bloggers. If your organization supports important local, regional or national causes, dedicate an issue to the topic, such as promoting the annual 10k race or other fundraiser for cancer research. Invite the head of the organization to contribute a short piece on the need and how the funds will be applied. Think of other ways of connecting to the community. Having these types of contributors builds credibility, helps search engines find you in new ways and increases the number of followers.
  9. Ask Questions, Do Quick Surveys – A favorite trick for engaging your readers is to ask questions and create short surveys they can answer online. It can take less than an hour to create a short survey using one of the free survey sites such as Survey Monkey or Zoomerang. The surveys can ask respondents to rank hot industry topics for the coming year, favorite news media in a particular niche and helpful hints from users of a company’s products or services. The surveys need to generate results that can be turned into a future news story, blog, post on Facebook and Google+ or topic for a speech.
  10. Have a Photo Contest – If appropriate to the company, organization, institution or cause, engage your followers (and add new ones!) by having regular contests to generate fresh content in appropriate categories. These can include nature, people, recreation, local attractions, street scenes and seasonal submissions (skiing, soccer, softball, spring flowers, cutest animals, ugliest dogs, raging rivers), most innovative use of your product and other helpful hints. Have prizes that tie back to the organization or a cause. Recruit two or three celebrity judges. Launch the contest and give it a deadline, such as three weeks to submit, then a week to judge before  announcing the winners. Post the best on Pinterest then Tweet the link and post on Facebook.
  11. Draw More Traffic to Your Blog and Website with Email, Twitter, Pinterest and Facebook – Whenever you post something new, let the world know with quick Tweets, emails and Facebook posts with a short description of your new blog content and a link. This will help build your numbers and also make it easier for people to find you when they are searching for trusted resources and respected brands in your category. To make it even easier for your targets to find your key messages, include hyperlinks to your blog, Twitter handle, Facebook page and LinkedIn profile in your email signature, Tweets, posts, news releases, comments on other sites and in the body of email correspondence.
  12. Be Responsive – And do so within the personality! Communicate within the core values you have established. Keep it high level and positive.
  13. Track Everything; Have Regular Creative Sessions to Keep Improving – Are you achieving program goals and objectives? If not, why not? Post a survey to ask for feedback from your target audiences on what they like or don’t like. Find out what works best and build on it. Be consistently creative and how you, as a publisher and master of the communications universe, can keep providing quality content that engages your readers and builds your reputation.

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Words of PR and other wisdom in more than 140 characters from Biz Stone

Tuesday, October 16th, 2012

Biz Stone

Posted by Tom Gable

SAN FRANCISCO — Biz Stone, co-founder of Twitter, meandered around the huge stage, somewhat like a magician or comedian working the space for effect as he engaged the crowd attending the PRSA 2012 International Conference here Sunday.

Giant screens flanked the stage so the some thousand PR professionals in the audience, even at the back a football field away, could catch his words and see his Cheshire grin as he told a quick person history before delving into his talk within the conference theme of “The Future Starts Now.”

The man who helped create Blogger, Xanga and Odeo said he saw the opportunity for the democratization of social media. The start was slow for Twitter until an epiphany at the South by Southwest (SXSW) technology and entertainment extravaganza in Austin, Texas, five years ago. A favorite restaurant was packed so they tweeted about meeting at another spot. When they arrived, long lines snaked out the door and around the corner.

He showed a cartoon slide of a flock of birds. The metaphor: envision the individuals moving independently then coming together and moving to a single place, drawn by a single call, common interests and instincts.

Stone said we are only at the beginning of this phenomenon called social media. The world will soon drop the term social media as we search for new tools to paint deeper pictures of ourselves.

We will be creating more information networks. The challenge, he said, is that information isn’t knowledge. Listening and then responding are key to developing understanding of the world around us. Something has to be done with the information to advance to the next level, whether it’s in public relations, marketing, philanthropy or just connecting socially.

Stone said PR has an incredibly bright future based on its ability to listen, understand and tell stories. With social media and other tools, PR professionals can create content and go straight to the source rather than through traditional media. Tell the story of the people and companies you represent directly, he said. It’s all about the narrative of the story. Stories with validity have value and the power to engage your audience.

For a new idea, Stone said there is a compound impact to altruism.

“Philanthropy is the future of marketing,” he said. He hired a corporate social responsibility (CSR) manager when they had just 16 employees – before he hired a sales manager.

The core tenet of the business is how people can work together to create tools to make the world a better place.

He made three key points that resonated with people as evidenced by the blast of tweets from the session, post-session conversations and in remarks by other presenters who referenced the Stone talk:

  • To succeed spectacularly you need to be ready to fail spectacularly.
  • Opportunity can be manufactured. What circumstance can I prearrange and take advantage of?
  • Creativity is a renewable resource. 

The PRSA flock

PR University Panel: Six Easy (?) Steps for Writing Like a Journalist in PR

Wednesday, September 5th, 2012

Wordsmith at work

Posted by Tom Gable

The PR University program on August 30 featured Jon Greer, training director of PRU, moderator; Jonathan Kranz, author of “Writing Copy for Dummies”; Don Bates, APR, PRSA Fellow, former journalist, agency CEO and currently professor at New York University; and yours truly, Tom Gable, APR, PRSA Fellow, CEO of Gable PR.

Greer set the stage by outlining the six steps to being a better writer and then led the panel through ideas PR professionals could use in using the tips in their practices:

One – Be an internal reporter

Two – Organize your material

Three – Start writing

Four – Continue adding useful information

Five – Review and revise

Six – Work with an editor

Greer asked the participants about what would be their biggest hurdles to becoming a better writer. Bates said each writer needs to be a strategic thinker – content needs to make something happen and build a bigger story. Gable said each story needs to be viewed as a building block in creating a bigger image and reputation for the long term, so facts and details are important. Kranz said the best writers go beyond just presenting information; they look for compelling core messages and themes that can resonate with the right audiences.

Kranz stressed the power of telling good stories, with a beginning, middle and an end. Is it about how your service works, your products and your people, how you solve problems, how your business began, how you overcame issues, what major customers are happy and anything related to trends that help you rise above the competition?

Desire, Danger and Drama

He framed each story as having three parts: desire, where someone wants something and there is a motivating element; danger, where there are obstacles, problems, risks and challenges; and drama, where the hero comes in with a magic sword to solve things.

For a company story, Gable said to start by looking at what exists (market, technology, service, industry trend, etc.), what are the problems that need to be solved, how do you differentiate the new approaches or discoveries, what will the team do to make it happen and what will ultimately be changed? Journalists are looking for cause-and-effect, plus anticipated results. If you can demonstrate what the company has done to evoke change, and tell it in a compelling way, you’re going to drive positive media relations. Also, look for what doesn’t exist. Is there a new story hook, trend or oversight your client can speak to?

Always be Collecting

Greer said to “always be collecting information.” This includes competitive information and industry trends as well. Sometimes outside stories can stimulate new ideas for promoting your own company in new ways and further differentiating against the competition.

Kranz counseled against having false drama. Journalists will see through it, he said. The panel stressed the importance of authentic counsel. Bates said to create a catalog of stories that  can be rolled out over time. His approach has been to interview key executives at the companies he has worked for. At Gable PR, teams use internal audits to delve into the heart and soul of a company. The team develops questions to be asked individually and confidentially of key client connections to delve into vision, mission, challenges, opportunities, history of the company, culture and anecdotes that can be used to demonstrate the successes of the company and its people. The process often finds stories that haven’t been told before.

The panel discussed how to work with difficult executives. In some cases, an executive will envision a story that really has no news value anywhere. PR firms and internal staffs need to provide authentic counsel. In some cases, they have to keep from falling on their own swords and be diplomatic. The panel suggested trying positive approaches such as saying “maybe there are other ideas we can use to build on this.”

Whenever in doubt, Gable said to drive clarity by asking two questions: “So what? Who cares?”

Bates said PR news copy should contain no jargon or hyperbole. Train your clients to think about action verbs and means of differentiating the company and its products with real facts. Gable said research with major media shows that the fact-based approach to public relations can be a clear differentiator and help build trust with the media.

Organize your material: what rises to the top, what’s important, what’s less important, what’s unimportant, do you have all the information you need? Greer said that most people will only read the lead paragraph so keep it short and simple.

Kranz said to consider the formats being written for – article, web, sidebar, feature, breaking news – and think about word count. What is the most important copy to include? What will get cut?

The panel urged writers to have copy reviewed by people not familiar with the client. Gable said his firm reviews copy internally and often works with freelancers who are former journalist to provide outside opinions.

The panel recommended setting aside complex stories for 24 hours. Kranz said to sleep on it, then read it aloud. Beyond words, he said get a feel for the rhythm. Does the copy flow?

Seven-Point Litmus Test

In closing, Gable shared the Gable PR seven-point litmus test for evaluating potential news stories or other messages:

1. Is it really newsworthy or of interest to anyone other than the company, the CEO’s family and a few of their friends?

2. How big is the impact: company, community, region, market niche or category, industry, technology or science breakthrough, nation, hemisphere, humanity?

3. Has the same or similar story already been told? (Quick research will answer the question.) 

4. Can the premise be supported by valid data, third party sources, case histories and ongoing proof of principle?

5. Does the company have credible “gurus,” who can bring the story to life and become valuable and trusted resources for the media?

6. Can the company be further differentiated by its people, technology, culture and personality? Or if you lined up the tag lines, boilerplates, key words and descriptive clauses for the top competitors in the space would they all look and sound alike?

7. Can the story be summarized in a compelling headline, Tweet or one or two-sentence sound bite or elevator pitch? 

This quick test can help focus your efforts to create a smart, compelling and interesting story or other communication that breaks through the clutter, connects with your targets and supports the long-term image and reputation of your client or organization. Failing the test can also be used as evidence to convince the client or boss to go in a new direction or risk alienating the media and beyond.

In summary, the panel agreed that strategic public relations programs supported by strong PR writing can make a difference in how an organization builds its reputation for the long term, or doesn’t.

Honing the Elevator Pitch for Analyst Presentations, Media Interviews and More

Thursday, August 23rd, 2012

Make it Quick!

Posted by Tom Gable

Whether working with a Ph.D./M.D. who knows too much, a CEO who loves to spin long tales about his company and his successes or a startup or anyone else who is new to trying to connect with financial, media and other audiences, we’ve found a good starting point in the communications process is drafting a classic elevator pitch.

The challenge is writing short copy, especially for engineers and scientists who are used to citing published articles, case histories and other resources ad infinitum. The long approach is perfect for pitching peers and colleagues, less so for connecting with analysts, the media and non-industry audiences. Thus, the following was created by Gable PR as a starting point for honing a one- to two-minute pitch (also referred to as the cocktail party pitch) to grab the attention of your audience in the shortest amount of time and set the stage for next steps.

TAG LINE/SOUND BITE – The opener – an instant picture or quick summation of your positioning.  What you do, what you stand for, to what effect and why it’s important. One sentence is best.Practice with people who don’t know what you do and keep honing this one sentence (two at the most) until it rings like Shakespeare.

PROBLEM, SITUATION ANALYSIS – What exists – the pain or problem you solve?

DYNAMICS AND OPPORTUNITY – Quick historical overview of how it got to this point, how the challenge has been addressed, what is the sweet spot for your company or organization (keep it to three important points, no more!).

WHAT (solving the problem) – Your company (or organization) has been working X years to plan for and develop D, E and F to solve the problem, take advantage of the market opportunity and grow and succeed over the next Y years.

OVERVIEW FROM 30,000 FEET – We have done it: the macro view, the big picture of how your great concept all comes together and grows market share, sales, traffic, profits, benefits the community, whatever – the BIG PICTURE vision of future success rather than technical details and features.

SO WHAT (Benefits) – You will succeed because of the creative planning, results and ultimate value you deliver.  Create a mental picture of the benefits to science, patients, customers, the world. If there is a good case history, cite the proof of principle in a sentence or two. Do it in two sentences and you get a Pulitzer Prize (plus the desired result).

THE TEAM – The team includes executives with national credentials in A, B and C. It has a combined ZZ years in the industry, has built MM, helped YY other companies or institutions grow and knows the market and how to provide an expanding array of products and services to help it succeed (make it relevant to the big picture).

THE CLOSE (call to action on the elevator) – “We have the people, the plan and the commitment to succeed in a rapidly growing new market.  I can provide incredible detail that I believe will convince you to … (invest, interview, buy, etc.).  How about a follow up meeting?  Where would you like to meet?  What else can I provide?”

Ask questions that will take it to the next step!

Seven Tips for Making Headlines Shine (and Getting Your PR Releases Read!)

Tuesday, March 13th, 2012

Posted by Tom Gable

Headlines need to excite, entice and entertain. The best grab a reader’s attention in a short amount of space and lure him or her into a story. They create evocative thoughts and images. They summarize smartly and succinctly the meaning of what will follow. They don’t go on forever like an abstract for a research paper (you can’t bore people into reading your story!). Here are some quick tips for writing better headlines.

1. Read the Media You Are Trying to Reach! How Would They Write the Headline?
2. Think About Your Target Audiences and What’s Important to Them
3. What’s the News (breaking, feature, opinion)?
4. Get Creative. How Are You Going to Stand Out from the Crowd?
5. What General Approach to Take (fact-based, humorous, the ever-present pun, positioning and visionary, provocative, diplomatic)?
6. What Are the Most Important Facts and Impressions You Want to Leave with Your Audiences?
7. Be a Stickler for Style

• Brainstorm on key words and tags to use for search engine optimization
• Use a two-line headline and two-line subheadline wherever possible to make it easy for the reader and search engines to put it into context
• Have the client name in the first line wherever possible
• Use active verbs
• Have complete thoughts on each line
• Have logical line breaks and balanced lines, to mirror the standards set by the media; don’t just wrap text from line to line
• Be smart about punctuation (including commas, semicolons and dashes)
• Use the “So What, Who Cares?” test to see if you’ve got it right (or should start over)
• Read the headline and subheadline aloud and see if they flow, plus have the creative power to connect
• Edit, edit, edit!

The New Newspaper and PR: Relationships Still Crucial

Monday, February 20th, 2012

Posted by Tom Gable

Jeff Light, editor of U-T San Diego (formerly The San Diego Union-Tribune), was telling a packed meeting of the local chapter of PRSA about changes at his paper and other papers around the world.

The local newspaper of record was becoming the digital multimedia content provider of record. Teams now push out news via email, text, audio and video. Papers (and magazines) cover breaking news on their websites as it happens, so in our world of always-on communications there is no need to wait for the evening news on TV to catch up, tuning to CBS News or other radio source during the commute or strolling out early tomorrow to pick up the morning daily from your doorstep or driveway (which is still a fun morning ritual for some!).

Light said the challenge all newspapers face is how to make them relevant and useful beyond the printed version while creating new revenue sources (the No. 1 revenue source of old — fat sections of classified advertising — disappeared into Craigslist). The news organizations have smaller staffs. Reporters are now “content contributors,” which can include writing for the website, recording video and audio and taking photos. Feature stories are scheduled in advance for the print edition. Daily news conferences determine what hot web stories go into the print edition.

Positive for PR

The new model can be positive for PR professionals, providing they understand the reporters and their beats, be honest, be forthright and provide facts and information that make it easier for reporters to tell their stories.

Light said the key to media coverage: it is all about relationships. Whom do the reporters know? Light said the PR professional is in a weak position trying to pitch someone they don’t know. For building successful relationships on the news side, get to know the reporter covering the beat. Build a relationship and reach a level of trust where a reporter will rely on the PR pro as a valuable source. Light was asked about the traits of a bad PR person: rigid, demanding and untruthful.

On organization, Light said the old model was undisciplined, unfocused, and inefficient and it often took a long time to develop a decent story. As people grew up in the profession and gained more skills, they usually pursued fewer, bigger stories. Small but important pieces sat on the sideline. In the new model – Website first, then figure out what might make the print edition – writers have to be more productive. The challenge: be efficient and competent.

Finding Good Stories

Light said the U-T has cut down on the number of things it covers and built a more focused approach to finding good stories across the different news beats. He provided a quick litany of how to build a beat. What is the big story? What really matters? Whom do you have to know to develop the relationships that can lead to the story? Reporters need understanding and access. Big pieces grow from small pieces. PR pros can help.

With fewer editing layers, the U-T does suffer from an increased number of errors, Light acknowledged. He said he was not sure additional layers improve quality. The Street.com, for example, has no copy editors and is wildly successful. He wants his teams to “do it once and do it right.”

When asked about the new look of the paper, Light said the rebranding to U-T San Diego had been brewing for some time. Research showed the brand image suffered from many negative perceptions and misconceptions. The executive teams and advisors felt they needed to send a big signal that this was not the old San Diego Union Tribune.

Bye-Bye Local-Local News?

For competition, the hyper-local Patch phenomenon will fail sooner rather than later, Light said. The timing is wrong. The challenge of local-local news is that it is hard to make its scale. A publisher can’t succeed with a big staff and small audiences. You want big audiences with a small staff, he said. The more local you are and the more content creation you do, the smaller the audience.

Bottom line: Papers are being rebranded, refocused, dressed up in new clothes and sent out digitally to connect with readers and, now, viewers. For news junkies, the content is imminently searchable but I wondered if I would ever be comfortable reading my news on a smart phone, clicking on links to get more detail, scrolling to find other links to supporting sidebars or just browsing page to page for fun.

Next: The Copyboy Chronicles (where cut-and-paste came from)

 

 

PR University Panel Shares Secrets of Writing Like a Journalist

Monday, December 5th, 2011

Wordsmith at work

Posted by Tom Gable

How to cut through the clutter and connect with the media with powerful stories they can actually use? PR University convened a master class webinar recently to answer the question: “What kind of writer are you? Newsroom vets and PR wordsmiths share power secrets of writing like a journalist in six easy steps.”

The steps outlined by Jon Greer, moderator, were fairly straightforward. The PR pros on the panel then added extensive details to each step. Some of the highlights follow below with guidance from Nancy Brenner, senior vice president, director of media relations, MS&L Global Corporate; Jeff Crilley, president, Real News PR; Rory O’Connor, senior vice president and partner, Fleishman-Hillard; and yours truly, CEO, Gable PR.

Step one: be an internal reporter

Think like a journalist. Train your ears and eyes and find ways to rise above the competition.

Become an investigative reporter. In trying to earn our media coverage, we rely on telling a good story with facts. Can we truly differentiate against the competition? In what ways and can we provide ongoing proof of principle over the next two to three years with real stories, facts and details, not vague words.

Rory said the most important thing PR professionals can deliver is great content. How to connect with your ultimate audience, not your clients?

Nancy said to dig deeper and probe for better stories and anecdotes. She said to track trade organizations and associations in your client’s industries to find supporting data. They often have trend stories that the PR pro can build upon. Tom suggested using government, independent research and other outside studies for validation. In some cases, the PR pro can then provide the journalist with additional sources for improving the depth of the

Jeff said to push back on client who is trying to get too much of a commercial message into the release. Go for the good story and you will get the commercial, he said. Go for the overt commercial message first and you probably won’t get a story. He noted that the media are overwhelmed with added online and social media responsibilities so “do the job of the journalist” and help them tell a good story.

Step two: organize your material

Think of each release as part of a series. He were building image for the long-term. You’re thinking also about how people search for topics. Check what news stories and press releases come up as top candidates in the Google news and other searches. Look for what is they are, and what is not there.

What rises to the top? What is important? What is less important? What is unimportant?

Step three: start writing

To get started, Jon said to start with the first thing you think of; don’t delay or try to be perfect.

Tom recommended starting with a great headline. Think about search engine optimization. Tell your story concisely and with strong words. Read the media you are trying to reach. How would they write the headline? Think about your target audiences and what is important to them. Get creative. How are you going to stand out from the crowd?

In addition the perfect headline and work toward it. Stick to three or four major points and paint big pictures. Go for the most important fact first. Think about the benefits to their readers, viewers or listeners. Think about relevancy to the journalist’s audience. Are you offering any new insights? Can you provide examples, facts, metaphors, quotable quotes and good anecdotes to bring your story to life?

Step four: continue adding useful information

What does the reader or viewer need to know? Look for facts and outside validation. Can you enhance their understanding with government or other data? Can you quote outside sources, such as noted critics, pundits and authors?

Step five: review and revise

Applied the “so what, who cares,” test first. This is a good way to read through copy and see what could be eliminated, edited or enhanced. Will anybody care?

Jon said to set the work aside if you can and reread with a fresh eye after doing something else. Is anything missing? Is everything in the right order? Would a typical reader be confused? Nancy said good editors strive to tighten every sentence. The best reference book to guide you on the way: Elements of Style, by Strunk & White.

On quotes, Tom said to read your material out loud. Are you communicating well with each sentence?  Is your work rife with empty phrases?

Also, edit for jargon. Tom said some words, such as solutions, seemingly get dropped into news releases unconsciously, somewhat of a verbal tic. Lazy writers sprinkle the releases with jargon rather than striving to develop well-crafted, creative and compelling ideas that capture the personality of the company, its points of differentiation and the defining factors what it is offering.

On complex stories, Rory said to tell the story to friends. Have a dialogue. They will often find the holes.

Step six: work with an editor

Edit for both style and content. Is the story well told? Rory shares his copy with another former journalist at this firm. If you don’t have internal talent, turn to a friend or colleague on the outside. The outside viewpoint can sometimes be very helpful. Nancy said PR pros sometimes get too close to details of a story and produce jargon or “inside baseball” types of copy.

Nancy suggested writing for readers on smart phones, which is where more people are getting their news every day. Plan for a shorter word count, including shorter headlines. Can you edit your headline into a bright subject line?

Tom said an editor from the Wall Street Journal who made his copy significantly better said to never fall in love with your prose. Don’t take editing personally. Think about the final product. Is it really going to communicate with the audience – the ultimate test of good writing.

Looking for a Job in PR? Gable PR Has Tips for Getting Resumes Read, Advancing Toward an Offer

Tuesday, October 18th, 2011

Standing Out

Posted by Tom Gable

In reviewing more than 200 resumes in the past month for account coordinator positions at Gable PR, our team struggled mightily at times to determine if a candidate should advance to the next round – a phone interview. Those making it through the phone interview then met with team members. The finalists took timed writing tests.

Our team, including those with experience at other agencies and on the client side, wondered if new entrants to the work force weren’t given much guidance in school or otherwise on solid approaches. As a public service to help future applicants to any PR job, the Gable PR team put together this short guide to things they liked or didn’t during the hiring process.

Likes:

  • On subject lines in email, grab our attention. Do something to stand-out. Be clever. Show personality (most don’t). Let us know why you’re a great candidate rather than simply “responding to AE advertisement.”
  • Have a focused, relevant cover letter, including some enthusiasm for the position and evidence you looked at the agency’s website and know something about the business. Highlight what you learned in your PR or news internships and how it applies to the agency.
  • Put the cover letter in body of the email to make it easier for the team to read.
  • Attach a resume with your name as the file name (more than half of the submissions are just called “resume,” which means we have to give it a new name if we like what’s there. We cover this on our Contact Us page).
  • Provide references and writing samples if you have them.
  • Include a photo (but not from a bar, the beach, or the group photo from Facebook, etc.)
  • During initial phone interviews or in-person interviews, be honest. Let us know about your passions/interests, long/short term goals and areas where you know you need to improve. If you are more interested in other fields such as advertising, HR, web design or other discipline and not PR, please let us know before we go to the next step with an interview.
  • Dress neatly and professionally for the in-person interview.
  • Bring clip folders of college and internship work to the interview; good writing samples help candidates rise to the top (Gable PR also has a timed writing tests for the finalists).
  • Ask questions beyond “what’s a typical day like?” Take an interest in the company you may work for. Do background research on company history, current and past clients, awards, honors, individual achievements and if any team members have LinkedIn recommendations. Our favorite candidates treat an interview like an interactive dialogue and are genuinely excited. They show their personalities, including senses of humor and willingness to debate issues.
  • Agency teams hit it off best with candidates who are thinking of PR as a long-term career choice and are excited about the profession.
  • PR is a team sport, so think about how you would fit into this team and contribute to its success.
  • Fast follow up with a thank you email or card.

Dislikes:

  • Common shortcomings: misspelled words in the subject line (including the name of the agency!); no copy in the cover email; vague introductory copy (obviously being sent to different categories of potential employers); misuse of words (“I will attribute my skills” to the agency instead of contribute); misspellings in the resume (we get a lot of these from people who list “detail oriented” as one of their key attributes.
  • Interviewee showing up in jeans, too casual in attire; for women, chipped fingernails; for men, sloppy clothing, unkempt look, wrinkled clothes (we need to know our future colleague can meet with clients and the media and come across as professional; this doesn’t require an expensive wardrobe; neat, clean, thoughtful in choice of attire).
  • Showing up without a resume or samples. No follow-up email or thank you note. The combination shows a lack of interest and demonstrates that you are missing an incredibly valuable trait in PR: preparing diligently for every meeting where you need to make an impression (client, media, potential employer!).
  • A disinterest in news, writing and the media.
  • Not being able to match your interests, skill sets and preferred career path to the position. Having an interest in human resources or advertising or sales may be fine for another interview. But we are looking for passionate potential PR team members. Tell us how your skill sets and drive are going to get results for our clients and help build our agency.
  • On skill sets and experience: no PR or journalism in school; no relevant internships.
  • Most common bad answer to why you want to get into PR: “I really like people!”

 

 

Social Media the New Sock Puppet? Or Part of a Strategic PR Tool Kit?

Thursday, June 16th, 2011

Tool Time

 

Posted by Tom Gable

The blogosphere, Twittersphere and mainstream media are waking up to the fact that the hot new item they fell in love with not too long ago is starting to remind them of infatuations of old. The packaging might be brighter, more exotic and stimulating to the senses. But this hot new item could be a time sink; with hours and days disappearing with little of value to show. Yes, the titillation has been stimulating. But could this hot item simply be distracting us all from more serious, important and strategic activities?

Sound familiar? Remember the first encounter with The World Wide Web and Mosaic (pre-Netscape)? Then came Netscape, email, Yahoo, Google and a million new websites that bragged about capturing eyeballs (but no income), ad infinitum. Many firms, Gable PR included, succumbed to the siren songs of the web. So many pretty new faces are now tired or gone. Is the hot new item – social media – heading for the same fate?

Experts seem to agree that we are seeing the evolution of the social media phenomenon into the development of a commoditized set of tools to add to the PR arsenal for strategic use as needed.

Peter Shankman, of HARO fame, wrote that he would never hire a social media expert, and neither should you.

“Social Media is just another facet of marketing and customer service. Say it with me. Repeat it until you know it by heart. Bind it as a sign upon your hands and upon thy gates. Social Media, by itself, will not help you. We’re making the same mistakes that we made during the dotcom era, where everyone thought that just adding the term .com to your corporate logo made you instantly credible. It didn’t. If that’s all you did, you emphasized even more strongly how pathetic your company was.”

The Sysomos blog offered this guidance:

“In simple terms, social media as a standalone activity is coming to an end. If you are a social media consultant, you need to be really, really good at providing strategic counsel, as well as have in-depth knowledge of the tools and services need to execute tactically. For everyone else, they will need to offer than just social media strategic and tactical services. Instead, they have to offer services that embrace communications, marketing and sales strategies and goals.”

Even Steve Rubel, who grew up being a social media consultant and blogger ubber alles, noted that:

“It was fun while it lasted. But I totally agree that the future is all about integration. We need more systems thinkers who can see the big picture.”

I led a workshop at the recent PRSA Counselors Academy annual spring conference where we discussed PR as the ultimate platform for building image and reputation and social media as part of the tool kit.

The metaphor was PR as the Internet of communications. PR starts with a solid, authentic foundation using traditional methods (e.g. Media relations) and then layers on new applications (websites, email), leverages off other platforms (Facebook, Twitter, etc.) and connects with people from all angles to move perception and behavior in the desired direction.

The senior PR counselors attending the workshop agreed that the “start” button for authentic PR was strategic planning brilliantly synchronized to support client business and marketing goals. The strategies, tools and tactics can be far-ranging to support building reputation and driving results with multiple target audiences. The obvious basic list included internal relations, pro-active media relations, social media integration, special events, breakthrough promotions, cause marketing, community relations, trade relations, investor relations, speaking engagements, conferences, trade shows, crisis PR and issues management.

In delving deeper into the hottest topic – the social media component – the Counselors discussed media disintermediation and the rise of what was characterized as the PR Publishing House – a powerful emerging force in marketing communications and public relations. Think of PR as content developer for many communications products, all integrated within unified themes. PR pros serve as creative directors. They develop their own editorial calendars and control multiple channels that bypass traditional media filters. When done strategically, the work of the PR publishing house advances education and knowledge, building trust and credibility through authentic conversations in a human voice that build long-term relationships.

What’s next? The gurus noted the end of the social media gurus, which does have a touch of irony to it. The workshop talked about communications at the speed of light and the two-second news cycle. There will surely be new layers of digital tools that drive faster actions and forms of communications we haven’t yet imagined. And it will be up to the PR pros to manage those new tools within a brilliant strategic context.